Damir A. Romano and Mark A. Wagner’s agency is called A-DOT Media, and as its decidedly artsy christening suggests – it’s all about supporting the unconventional artist in the modern, consumerist, cultural and entertainment-based markets. Romano and Wagner’s genius in my opinion is their finding ways to have decidedly left-turn, avant-garde artists and designers channel
Pop Culture
The Seattle music scene is feeling and sounding pretty stagnant as 2023 comes into focus, but this isn’t to say that the northwest is devoid of any real talent right now. Rock might be as good as dead in the emerald city, but with regard to the R&B movement, Ronnue is making it clear in
Louis Siciliano’s Ancient Cosmic Truth highlights four tracks from the renowned Italian composer. He has set a new standard for modern jazz fusion and couples intriguing synthesizer textures into the form. The presence of former Weather Report percussionist Alex Acuña testifies to the foundational influence in his work, but it goes further than that. Siciliano’s work attempts to
Artists in pop music use a lot of different weapons when chasing their audience’s affection, and for Taydem Shoesmith, vocal harmonies are the quintessential element of her professional war chest. Songs like her latest single “Are You Clapping?” require a lot of moxie from behind the microphone, but she doesn’t back down from the challenge
Making music that represents the essence of a people and their culture has been the mission of bluegrass, country, folk, Americana, and roots rock artists spanning one generation to the next for centuries, and although it’s a lofty task, to say the least, Ralph Nix & the Guilt Birds somehow do it seamlessly in their
In her tempting new single “Hallway,” singer Drew Haley isn’t as focused on impressing the audience with poetic virtuosities as she is cutting into the silence with a deadly melodicism that has been anything but common in the last few years. The pop elements in this single become minuscule next to the potent tone of
There’s something so undeniably earnest and unforgettable about a great country track. With Ricky Forest’s new single “Honey Please Come Home,” it scratches every itch regarding the genre and then some. It’s a heartfelt love track with fantastic instrumentals and a gorgeous voice at its core, but there’s a tinge of comedy in the lyrics
Haley Dreis has had a fairly prolific release schedule to date, with her album Beautiful To Me marking her debut in 2009 and remaining consistent with a variety of LPs, EPs, and singles ever since; Cozy Christmas marks her first time taking on holiday songs, and her voice feels perfect for it. Her warm, crisp
Coming from a multicultural family, Chantara grew up speaking five languages in her household. Being an only child in her family, she found solace in music. She first discovered her voice and music in elementary school. She was so excited about her music class. She listened to latin pop as she grew up. Latin pop became her strongest influence in her musical upbringing. The single “Distant Star” was written when
For designer Emily Daccarett fashion and music cannot be separated. Daccarett creates an immersive world of storytelling through music, film, and fashion. Each artistic direction begins with a beat that forms a story. From the start of her brand, she has fused those worlds together, creating a symbiotic flow between the two. So great to have you for our interview today
Vienna CC has been steadily reaching a wider and wider audience with each new single release. His latest song “Here Comes the Attraction” will likely be his most successful release yet and features all of the elements defining his past singles in full flower. If he isn’t at his peak, he’s nearing it. It isn’t
Brenda Carsey is a Los Angeles-based vocalist, songwriter, multi-instrumentalist, and producer. Her music has been described as brilliant, timeless, playful, and larger than life R&B/Soul and Progressive Pop. Carsey delivers an engaging, energetic show, with her unmistakably unique sound rooted in the classic pop diaspora. Carsey’s voice is uninhibited with a virtuosic range, mixing a
While it can be said that there isn’t a moment of her sophomore LP in which she isn’t singing her heart out, there’s something very special about Christine Hand in the climactic chorus of the song “Take it Slow,” one of the eleven charming tracks featured on her new album Standing on the Shoulders. In Standing on
Embracing conventionality in any manner is essentially taking the easy way out in any genre these days, but few prove this notion true quite as emphatically as Elektragaaz does in The Synaesthetic Picture Show: Part 6. Comprised of noisy bastions of electronica and progressive songcraft in “Death and the Gunfighter,” “The Forge of the Red Horseman,”
The solo endeavor of singer/songwriter Lear Mason, Some Days Are Darker illustrates a rich soundscape colored by hues of love, loss, and rebirth, an era-ambiguous amalgamation of goth-rock gloom and modern-day crooner. Thank you for the new music! Please drop the link to the new music here: SPOTIFY: https://open.spotify.com/album/1klSLJE6ikboKHKzu6CO6F?si=6eFuvqEgRrewMZ8H193A3A What is the importance of lyrical
Emerging vocalist Dianña returns with a Christmas song that’s elegant, poised, and deeply musical. It likewise captures the holiday spirit with any of the hack cliches so many disparage in the music. It follows her recent single “Hands” and shows another side of this fantastic talent. Produced by Grammy nominated mixer/producer Mark Needham who has
To conjure the same sounds and feelings as someone like Roy Orbison, that’s a heavy weight to bear — six decades after his meteoric rise to fame, nobody has been able to fully capture the same exact vocal stylings Orbison could, with singles such as “Pretty Woman” and “In Dreams.” The niche was impressive, and
Missouri power trio Dark Below are continuing their Breakout year with new single ‘Hate Being Human’. The song was produced by Malcolm Springer (Matchbox 20, Collective Soul, Fear Factory) and Jason Schrick for JPS Productions at East Iris Studios in Nashville. Noted music manager Jeff Hanson (Creed, Alter Bridge, Paramore, Sevendust) has joined the team to help
The critically lauded and increasingly popular Swedish country singer/songwriter miQa.el’s new single “Walking Medicine” isn’t just something new. It’s a gauntlet the artist once known as Hicks throws down for his audience announcing that a different chapter has opened in his personal and artistic life. This single pushes the style to its limits while still
No matter what your taste in music is, there’s no arguing that autumn has a unique sound, different from pretty much any other time of year. For many country music fans, autumn is all about bonfire beats, old-fashioned swing rhythms, and the occasional burst of cathartic, overdriven twang, but singer/songwriter Jeremy Parsons wants to put
Of Limbo/Big Panda Records. Long Beach, CA Rockers Of Limbo have released a raucous & fun new track and video, ‘Let’s Go’. Known for high energy, on the brink of out-of-control live shows, they create an electric atmosphere that is infectious – making it impossible not to have a good time. The band is racing forward and ready to move to another level with their career. Of Limbo says “The song started with the riff and everything just fell into
There’s a runway feel to the chorus of Bobby And The Crew’s latest single, “Prince Of Charm.” It’s the type of lick that gives away the band’s European heritage. 3 guys and a gal, Bobby And The Crew are ironically or fittingly, as charming as they come. On “Prince Of Charm,” they’re singing about the
The Century Family Records. Alt.Pop artist Little Hurt is heading out on a co-headlining tour with Hembree to support his new single ‘Buttercup’ . The song is a compact, clever nugget of pristine pop-rock perfection that features longtime friend The Ready Set on guest vocals. ‘Buttercup’ offers a frank confession of romantic uncertainty and insecurity — set to a funky backbeat, pulsing
“Late at night as I lie in bed, melodies are dancin’ ‘round in my head; words and phrases begin to flow, I try to sleep but I can’t let go (oh no no.)” Adam Randy’s first song in over a decade, titled “Another Song,” opens with a line as self-aware as its choice of title.
Milanis Clark has performing in her blood. This is often a cliché but, in the case of Clark, it’s clear. Her mother Yeimis is a respected professional dancer, co-founder of nonprofit Designed 2 Dance, and has long artistic relationships with legendary acts such as Lisa Lisa & Cult Jam, among others. The Lisa Lisa &
Cutting into the central harmony that supplies “I Just Want to Love You” with its greatest vitality, a brisk but boldly colorful melodicism is here to tie every eccentric element in Project Grand Slam’s sound together. This isn’t the first time that Robert Miller has delivered something ambitious in subtle packaging, but while the anticipation
If you know Everett De Morier, you know unpredictability. In a career that has spanned more than twenty-five years, Mr. De Morier has written everything from the Weekly World News’ My Wife Is Having the Reincarnation of Elvis to the Hollywood optioned Thirty-Three Cecils. He’s an essayist, an author, a humorist, a contributor, a thinker.
Creeping out of the silence with a hesitant sonic slither, “Not Knowing” is waiting for anyone brave enough to enter its groove-packed gateway into Dan Engelhardt’s new instrumental LP Here at Last, and in the next few minutes that follow, the track will set the stage for everything soon to pass in the next thirteen songs.
When hailing from Toronto, you’re a band with plenty of hometown heroes. Historically, the biggest band to call Toronto their home might be Rush, but the list runs long with other massive groups — you’ll obviously also have to add The Band to the list. Indie darlings Broken Social Scene and Metric can still be
You won’t find any of the inauthentic props that have become commonplace in pop music in David Raybuck’s new song “The Pathway.” You also won’t find any false foundations, like synthetic harmonies or a badly recycled rhythm, in the song’s parent album, The Prodigal. Fake admissions are nowhere to be heard in the lyricism, and when
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