Movies

Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results. During a conference call with Wall Street analysts to discuss third-quarter results, the major exhibitor boss said Cinemark’s conversations with the two tech firms indicate they
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EXCLUSIVE: Warner Bros‘ highly anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on Dec. 15 with box office analytics corp The Quorum predicting a $20M-$23M opening. Note it’s still early in the campaign, so there’s potential for upside. Unlike other tracking services which project three weeks before a
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A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
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Today, Universal/Blumhouse’s Five Nights at Freddy‘s is clocking past the $100M domestic mark, a box office milestone for the studio when it comes to its experimental theatrical day-and-date releases on its Peacock streaming service. That’s not only the highest that Uni has seen from a pic that’s been distributed via such means at the box
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The ramifications of the actors strike at the weekend box office continues to be felt, as ticket sales this weekend plummeted to $58.3M, which is currently the third-lowest of 2023. Remember, Legendary/Warner Bros’ Zendaya-Timothee Chalamet-Austin Butler-Florence Pugh sequel Dune: Part Two was originally set to play this weekend, and with its departure, there’s at least
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Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
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Here’s something we don’t see often: Opening projections plummeting for a Marvel Studios movie. Their latest sequel to 2019’s Captain Marvel, The Marvels, which is also an extension to Disney+ series WandaVision and Ms. Marvel, has seen its weekend forecast collapse from $75M-$80M three weeks ago to around $60M stateside. Some tracking services, such as
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Moving to the United States from Russia, Arina Sakoun is pursuing her passion of becoming an A-List Hollywood producer. With many projects under her belt, Arina is living her dream working in the entertainment industry. Her most recent project “The Ballad of Sadie LeBelle” is starting it’s festival run soon, and it sure to be
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The G.F.A. in Hollywood with a Powerful Collaboration of International Film Production Companies .. THE GLOBAL FILM ALLIANCE…..   Film, US News Eleven independent film companies- JJ Filmworks and A Plus Films from Bulgaria,Talkinglens Productions from the UK, Montalvo Digital Studios, UK, Hollywood Entertainment News, USA, Night Owl Studio, California USA, Wartime Films, USA, 360 Studios LTD, USA, 360TVN, USA, Zava Pictures, CA and VGPI Foundation, CA are thrilled to
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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After a year plus of tabloid headlines about its star Ezra Miller, Warner Bros./DC’s Covid-delayed $200M Justice League standalone superhero movie, The Flash, finally arrives in theaters. The global opening looks better than domestic, $155M-$165M Global to a $70M+ in U.S./Canada. Despite a very good response out of CinemaCon and DC co-boss James Gunn exclaiming
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
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Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that
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