Pop Culture

A Fresh Look at Hattie McDaniel and Gone With the Wind

I may not know nothing ‘bout birthin’ no green light, but it seems to me that in a world desperate for content based on massive intellectual property, an even more exciting response might be making a movie written by a Black woman that places actor Hattie McDaniel where she always belonged: front and center.

Enter Gesha-Marie Bland (a Women in Film/Black List episodic writers lab alum) and her yet-unproduced Selznick’s Folly, which commanded rightful attention during the brief period its script was hosted on the Black List website. It’s Hattie’s story, mirrored by producer David O. Selznick’s, as a rather disturbingly resonant balancing act of art, profit, identity, and the sacrifices we make to pursue the American Dream.

— Ta-Nehisi Coates Guest-Edits THE GREAT FIRE, a Special Issue
Breonna Taylor’s Beautiful Life, in the Words of Her Mother
— An Oral History of the Protest Movement’s First Days
— Celebrating 22 Activists and Visionaries on the Forefront of Change
— Novelist Jesmyn Ward on Witnessing Death Through a Pandemic and Protests
Angela Davis and Ava DuVernay on Black Lives Matter
— How America’s Brotherhood of Police Officers Stifles Reform

— Not a subscriber? Join Vanity Fair to receive the September issue, plus full digital access, now.

Products You May Like

Articles You May Like

Who Earned The High Scores?
Where Is Ellen DeGeneres Today? What She’s Doing Now – Hollywood Life
Donald Trump Returns To Madison Square Garden For UFC Fight, Flanked By Elon Musk and MAGA Allies
Susan Sarandon Talks Dating All Genders
A Mask of Honesty: “The Creep Tapes” and a New Type of Meta-Slasher