Pop Culture

Behind the Scenes of Vanity Fair’s Y2K-Inspired Photo Shoot

Elle Woods’s signature pink. Neo’s futuristic black. Patrick Bateman’s business formal/murder casual. For the most memorable characters of turn-of-the-century cinema, the wardrobe has become synonymous with the personality. “Costume design intrinsically creates character,” Oscar-nominated costume designer Arianne Phillips says.

Dylan Sprouse and Barbara Palvin as Richie and Margot TenenbaumPhotographs by Michael Kramer.
Accessories for Legally BlondePhotographs by Michael Kramer.

For our September portfolio, Vanity Fair tapped Phillips and photographer Emma Summerton to reimagine nine of our favorite films of the era through a contemporary lens—with next-gen standouts playing the leads. The concept: a glimpse behind the scenes at classic screen tests; hair and makeup, lighting, actors reading lines between takes—all the elements that come together to define the role before filming begins.

Costume designer and stylist Arianne Phillips (second from right) with her teamPhotographs by Michael Kramer.

Fourteen young stars, 25 trunks of clothing, more than 100 pairs of shoes, and countless accessories later, the nostalgia was in full force. “On the day of the shoot, we really went with the vibe of what the talent were doing,” says Summerton. Keke Palmer, cast as Legally Blonde’s Elle Woods, was all about embodying the character’s attitude. Patrick Schwarzenegger embraced his inner American Psycho “to the point where he was kinda scary,” says Summerton.

Photographer Emma SummertonPhotographs by Michael Kramer.

The films featured in our portfolio, from The Royal Tenenbaums to Moulin Rouge! to Love & Basketball, span comedy to musical to romance, but they have this in common: All nine original costume designers were women—including Phillips (Hedwig and the Angry Inch, 2001). For Phillips, honoring those original designs lent this portfolio special meaning: “It’s less about re-creating and more about paying homage, celebrating the work of all of these female costume designers,” Phillips says.

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